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  Použitá literatura   Pablo Picasso
 
  • Alex Danchev.
    Georges Braque: A Life.
    Arcade Publishing, 2005.
  • Alyce Mahon.
    Eroticism & Art.
    Oxford University Press, 2005.
  • André Breton, Simon Watson Taylor, Mark Polizzotti.
    Surrealism and Painting.
    MFA Publishing, 2002.
  • Anne Ganteführer-Trier, Uta Grosenick.
    Cubism.
    Taschen, 2004.
  • Barry Panter.
    Creativity & Madness: Psychological Studies of Art and Artists.
    Aimed Press, 1995.
  • Brigitte Leal, Christine Piot, Marie-Laure Bernadac, Jean Leymarie.
    The Ultimate Picasso.
    Harry N. Abrams, 2000.
  • Charles Harrison, Paul Wood.
    Art in theory, 1900 - 2000: An Anthology of Changing Ideas.
    Wiley-Blackwell, 2003.
  • Christopher Butler.
    Early Modernism: Literature, Music, and Painting in Europe, 1900 - 1916.
    Oxford University Press, 1994.
  • Colin Harrison, Catherine Casley, Jon Whiteley.
    The Ashmolean Museum: Complete Illustrated Catalogue of Paintings.
    Ashmolean Museum, 2004.
  • David Douglas Duncan, Paloma Picasso Thevenet.
    Picasso & Lump: A Dachshund's Odyssey.
    Bulfinch, 2006.
  • Elizabeth Louise Kahn.
    Marie Laurencin: Une Femme Inadaptée in Feminist Histories of Art.
    Ashgate Publishing, Ltd., 2003.
  • Ellen G. Landau.
    Reading Abstract Expressionism: Context and Critique.
    Yale University Press, 2005.
  • George Heard Hamilton.
    Painting and Sculpture in Europe, 1880 - 1940.
    Yale University Press, 1993.
  • Gertrude Stein.
    Picasso..
    Dover Publications, 1984.
  • Gillian Perry.
    Women Artists and the Parisian Avant-garde: Modernism and Feminine Art, 1900 to the Late 1920s.
    Manchester University Press, 1995.
  • Gillian Perry.
    Gender and Art.
    Yale University Press, 1999.
  • Harvey Rachlin.
    Scandals, Vandals, and Da Vincis: A Gallery of Remarkable Art Tales.
    Penguin, 2007.
  • Herschel B. Chipp, Peter Selz.
    Theories of Modern Art: A Source Book by Artists and Critics.
    University of California Press, 1984.
  • Horst Woldemar Janson, Dora Jane Janson.
    The Story of Painting, from Cave Painting to Modern Times.
    H. N. Abrams, 1966.
  • Hugh Honour, John Fleming.
    A World History of Art.
    Laurence King Publishing, 2005.
  • Ingo F. Walther.
    Picasso.
    Taschen, 2000.
  • Ingo F. Walther, Karl Ruhrberg, Manfred Schneckenburger, Christiane Fricke, Klaus Honnef.
    Art of the 20th century.
    Taschen, 2000.
  • James Schuyler, Simon Pettet.
    Selected Art Writings.
    David R. Godine Publisher, 1998.
  • Jeffrey Meyers.
    Modigliani: A Life.
    Houghton Mifflin Harcourt, 2006.
  • Jeremy Wallis.
    Cubists.
    Heinemann Library, 2003.
  • Jill Berk Jiminez, Joanna Banham.
    Dictionary of Artists' Models.
    Taylor & Francis, 2001.
  • John E. Gedo.
    Portraits of the Artist: Psychoanalysis of Creativity and its Vicissitudes.
    Analytic Press, 1989.
  • John E. Gedo.
    The Artist & the Emotional World: Creativity and Personality.
    Columbia University Press, 1996.
  • John Richardson.
    A Life of Picasso: The Cubist Rebel, 1907 - 1916.
    Knopf, 2007.
  • John Richardson.
    A Life of Picasso: The Prodigy, 1881-1906.
    Knopf, 2007.
  • John Walker.
    National Gallery of Art: Washington.
    Harry N. Abrams, 1995.
  • Kirk Varnedoe, Adam Gopnik, Earl A. Powell III.
    Pictures of Nothing: Abstract Art since Pollock.
    Princeton University Press, 2006.
  • kolektiv autorů.
    Malířské umění od A do Z, Dějiny malířského umění od počátků civilizace.
    Rebo Productions, 2006.
  • Linda Bolton.
    Post-Impressionists‬.
    Heinemann-Raintree Library, 2002.
  • Lucy R. Lippard.
    Surrealists on Art.
    Prentice-Hall, 1970.
  • Luis Buñuel.
    My Last Sigh.
    University of Minnesota Press, 2003.
  • Manfred Leier.
    100 slavných světových malířů, Žena jako inspirace v malířském umění.
    Rebo Productions, 2007.
  • Margit Rowell, Glenn Lowry.
    Objects of Desire: The Modern Still Life.
    The Museum of Modern Art, New York, 2002.
  • Martín Kemp.
    The Oxford History of Western Art.
    Oxford University Press, 2000.
  • Maurice Raynal, Ralph Roeder.
    Modern French Painters.
    Ayer Publishing, 1928.
  • Miroslav Lamač.
    Modern Czech painting 1907 - 1917.
    Artia, 1967.
  • Multiple authors.
    The Art Book.
    Phaidon Press, 1999.
  • Multiple authors.
    The 20th Century Art Book.
    Phaidon Press, 1999.
  • Pablo Picasso.
    Picasso Line Drawings and Prints.
    Dover Publications, 1982.
  • Peter Brooke.
    Albert Gleizes: For and Against the Twentieth Century.
    Yale University Press, 2001.
  • Philippe de Montebello and Kathleen Howard.
    The Metropolitan Museum of Art Guide.
    Metropolitan Museum of Art, 2000.
  • Robert John Goldwater.
    Primitivism in Modern Art.
    Harvard University Press, 1986.
  • Robert Suckale, Manfred Wundram, Andreas Prater, Hermann Bauer, Eva-Gesine Baur, Ingo F Walther.
    Masterpieces of Western Art: A History of Art in 900 Individual Studies from the Gothic to the Present Day, Part 1.
    Taschen, 2002.
  • Robin Adèle Greeley.
    Surrealism and the Spanish Civil War.
    Yale University Press, 2006.
  • Roger Fry.
    A Roger Fry Reader.
    University Of Chicago Press, 1996.
  • Roger Lipsey.
    The Spiritual in Twentieth-Century Art.
    Courier Dover Publications, 2004.
  • Roland Penrose.
    Picasso: Colour Library.
    Phaidon, 1998.
  • Sabine Rewald, William Slattery Lieberman.
    Twentieth Century Modern Masters: The Jacques and Natasha Gelman Collection.
    Metropolitan Museum of Art, 1989.
  • Simonetta Fraquelli, Christopher Green.
    Gino Severini: From Futurism to Classicism.
    University of California Press, 2000.
  • Susan Woodford.
    Looking at Pictures.
    Cambridge University Press, 1983.
  • Wenzel Jacob, Simon Schama, Thomas Llorens.
    Landscapes from Brueghel to Kandinsky.
    Hatje Cantz Publishers, 2002.
  • William Kelly.
    Art and Humanist Ideals: Contemporary Perspectives.
    Palgrave Macmillan Australia, 2003.

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